WBC 2013 Sunday: Convention wrap-up

First, a shout-out to Charlie Hoopes, whom I mistakenly failed to mention in my "WBC 2013 Thursday" post.  Charlie is the designer of the family game Fill the Barn and has a work-in-progress abstract two-player called "AtataT."  I'd seen "AtataT" at UnPub 3 but missed out on playing it.  Charlie made a point of catching up with me during the Trains Planes and Automobiles tournament, and we had a nice chat about our respective game designs.  I look forward to seeing more of him.

Sunday morning provided an opportunity to catch up with the representatives from one of the vendors and talk a little about "East India Company."  This company is a well-known publisher with a line of games to which I think "EIC" would make a valuable contribution.  The fellows I spoke with weren't the people who make decisions about which submissions to evaluate, but they do much of the playtesting.  We talked a little about the wide variety of quality and maturity they see in some of the game designs that they are given to check out.  I thought it might be valuable to pass on to them a copy of the rules of "EIC" with my contact information, just as an indicator of how far along I've developed the game and to help with their company's evaluation of whether to get a closer look at it.  There's no telling what will come of this contact, but I was glad at least to have reached out and pursued a potential relationship.

WBC 2013 Saturday: Wooden Ships fleet action and semifinal

Saturday at the World Boardgaming Championships was the day I'd been preparing for - the Wooden Ships and Iron Men fleet action and, if I qualified, the semifinals with a goal of reaching the final and competing for the championship.

My fellow Dutch players, Admiral
Ron (l.) and Commodore Tim H.

Wooden Ships fleet action
Tim Hitchings always puts on a great fleet action at WBC.  This year, the scenario involved a meeting engagement in the Dogger Banks between a British fleet of six ships-of-the-line and six frigates escorting nine merchant vessels against a similarly outfitted Dutch fleet.  The goal of each fleet was to escort its merchants safely off the opposite side of the board.  I served as the rear commodore of the Dutch fleet, with the ship-of-the-line Holland and a frigate under my command, as well as three of the merchants.

WBC 2013 Friday: Gryphon and Avalon Hill

Continuing my saga from yesterday's post...

Vendors
Friday at the World Boardgaming Championships was the first day that the vendors set up shop, and my friend Keith Ferguson was eager to be there when the doors opened.  Somehow I got the Friday morning schedule wrong and missed out on competing in a morning tournament, so I went to the vendors' hall instead.  As soon as I walked in, I saw the Gaming Nomads booth with Incan Gold (designers Bruno Faidutti and Alan R. Moon, artist Matthias Catrein, publisher Gryphon), which my family had been playing using a makeshift homemade version.  For $20, it seemed reasonable to get a copy of the real thing, since it gets some play in my house.  I overheard someone ask for Salmon Run (designer Jesse Catron  artist Eric J. Carter, publisher Gryphon), which I didn't even know they had until they pulled it out from under a low shelf, so I picked that up, too.  Finally, I decided to get Pergamon (designers Stefan Dorra and Ralf zur Linde, artist Klemens Franz, publisher Gryphon Games), which has been on my wishlist for a long time but which I just never picked up until now.  So I bought three Gryphon games from the first vendor I saw.  I decided discretion was the better part of valor at that point, and turned around and walked out again before my credit card got any other bright ideas.

WBC 2013 Thursday: "Small" tournaments and second-hand buys

Last week I spent four days at the World Boardgaming Championships in Lancaster, Pennsylvania.  WBC is one of my favorite conventions, and this one had a few highlights that I hope to share over the next few posts.

A promising new business contact

I've been struggling to assemble additional prototypes for "East India Company," and I had been stymied by an unfortunate failed transaction with a printing company that set me back about two and a half months with nothing to show for it except a refund.

Looking for a new source for print-on-demand services that could do what I needed, I browsed an old resource page that I'd bookmarked at Spotlight on Games.  There I found a reference to Print and Play Productions, which seemed to fit the bill perfectly.  On Wednesday, I placed an order and sent a note to the owner, Andrew Tullsen, just to let him know where I'd found out about his company and that I looked forward to doing business with him.  He responded the next day to say that he had checked my files, that everything looked good, and that he hoped to ship my order that week.

HistoriCon 2013 Saturday - USMC in the ACW

Last Saturday at HistoriCon, my friend Frank Hodge and I spent the morning in seminars and then joined our friend Grant Greffey for his latest WarZone scenario in his Dr. Orenstein series.  What follows are a few notes that I took from the first seminar, with others to follow in subsequent posts.  Any errors in this account with respect to the history of the Marine Corps and surrounding events are my own.  

HistoriCon 2013 Friday - DBA and GHQ

De Bellis Antiquitatis 3.0
Today at HistoriCon, I was reminded of what I like about the elegant miniatures game De Bellis

Pike refusing the flank against a knight charge

Antiquitatis (designers Philip and Sue Barker and Richard Bodley Scott, publisher Wargamers Research Group), colloquially known as DBA.   Years ago, my friends and I would play earlier versions of DBA avidly.  We closely followed rules changes and army list updates as they came out, the latest edition being DBA Version 2.2.  Over time we fell away from DBA in favor of boardgames and other distractions.  Occasionally we'd say, "We should play DBA again some time," and another of us would say, "Yes, that's a good idea.  I like DBA.  We should do that."  And then we wouldn't.

HistoriCon 2013 Thursday - New Orleans and Warrenton Junction

Although my primary interest is boardgames, I've been known to push lead around the table from time to time.  With last year's move to Fredericksburg, Virginia, of HistoriCon, the biggest Historical Miniatures Gaming Society (HMGS) event of the year, I've had a golden opportunity to revisit miniatures gaming and see the latest in the hobby.  Today was the first day of HistoriCon 2013, and for me it was "Leo Walsh" day, as I participated in back-to-back games run by the co-designer of High Noon and Age of Iron.

East India Company: Two-player playtest holds up well

 

"East India Company" two-player session.  The prototype
board might be too "busy" and need some toning down
for clarity.

My current game design work-in-progress, "East India Company," is intended for two to five players.  My very earliest solo playtests were set for two players, and many of the coarse physical mechanics that I developed came directly from those very early sessions.  Since then, however, nearly every playtest has been with three or more players, and over time I worried that I had neglected the two-player case and that perhaps EIC would come up short in that smaller format.

Midway: The brown shoe is on the other foot

My father was a naval aviator, and for whatever reason, whereas the rest of the Navy wore black shoes with their khaki uniforms, aviators always wore brown shoes.  This "brown shoe" image has a great deal of history and pride associated with it.  Well, today after work, Frank Hodge did well by that tradition in our game of Midway (designers Larry Pinsky and Lindsley Schutz, publisher Avalon Hill).  Unlike so many of our previous games, Frank assumed the role of commander of the U.S. Navy forces, while I took those of the Imperial Japanese Navy with the goal of invading Midway Island.

Reflecting on the symmetry of abstracts

(c) Queen Games
Used by permission

My good friend Grant Greffey recently gave me a copy of Sparta (designer Yannick Holtkamp, artist Claus Stephan, publisher Queen), a rather clever abstract in the category of perfect-information zero-luck two-player games.  My wife Kathy and I tried it out last night, and we confirmed something that we've observed with other games in this category:  There are many games in which Kathy and I go toe-to-toe, and a few in which she can wipe the floor with me, but I pretty much have the advantage in these pure two-player abstracts.  She's good at them, but I usually win, which makes them imperfect candidates for our cocktail hour gaming.

Farmers and hoplites

Two quick game accounts: 

(c) Z-man Games. Used by permission

Farmers of the Moor

Last evening, Kathy and I played Agricola: Farmers of the Moor (designer Uwe Rosenberg, artist Klemens Franz, publisher Z-Man Games).  We used the "Advanced (F)" deck of minor improvements.  We took completely different approaches to our farms.  Kathy was immediately disgusted with her hand and dismissed the idea of pursuing any of her minor improvements.  In fact, the only major improvement she paid for was a fireplace, which she later upgraded to a cooking hearth.  She was the first to build an extra room and grow her family.  She built fences like crazy and had quite the sheep/boar farm going before long.

Spring game photos

I've been gaming, and photographing, but not posting so much over the last month, so I thought I'd do a little catch-up with a sampling of the things my wife and I have been playing.

Pinot grigio, Anchor Steam, and Traders of Carthage

Traders of Carthage
I've mentioned this obscure favorite a few times and actually posted about this game, but I couldn't pass up the opportunity to include my photographic effort to incorporate the juxtaposition of the drinks, the game, and my lovely opponent across the table.

Unplayed games coming out of the closet

The more I read of Chris "GamerChris" Norwood's blog and the more I hear of his podcast, the more I appreciate his thoughtful take on boardgaming.  Most recently, he posted an admission of his "secret shame" - a list of unplayed games.  I recognized a number of games on his list, and was just about to chastise him for having neglected some particularly good ones ... and then I thought that perhaps I ought to see just how much glass there was in my own house before casting stones in his direction.

Showdown at Guadalcanal

My good friend Frank Hodge and I sat down after work for the last scenario in our "Pacific Theatre via Midway" series - the Battle of Guadalcanal - or more correctly perhaps, the Battle Around Guadalcanal (since we didn't worry too much about how the troops in the mud on the island itself fared - with apologies to my brother Pete the Marine).  This scenario for the first time presents the U.S. player with the same problem that faces the Japanese player in almost every other scenario - having to land transports on an objective.  In this case, both the Japanese and the Americans are trying to land forces on Guadalcanal to reinforce troops already there so as to secure control of the island.

Diana Jones Award nominees - dubious recognition

A Wil Wheaton tweet called my attention to the nomination of the YouTube Geek and Sundry show Table Top for the 2013 Diana Jones Award for Excellence in Gaming.

The what?

War and Peace in an afternoon

(c) Worthington Publishing
Used by permission

After work today, my friends Frank Hodge and Grant Greffey and I got together to break in Grant's new copy of War & Peace (designer Grant Wylie, publisher Worthington Games).  This game covers the campaign of Napoleon in Europe in an Axis and Allies format with some interesting rules to handle shifting alliances of some of the second-tier powers of the war.  Normally a two-player game, we used the optional rule for a three-player game, so that Grant played the French as Napoleon Bonaparte, Frank played the English, and I played the Russians.

Backyard 24/7

Just a picture this time:  As the weather improves, the backyard boardgaming becomes more frequent.  Friday after work it was 24/7: The Game (designer Carey Grayson, publisher Sunriver Games).
 

Undiscovered Carthage?

(c) Z-man.  Used by permission

Last Friday, I wrote about the underappreciated game Alexandros.  I remarked that I never run across any mention of it in blogs, podcasts, or anywhere else outside its boardgamegeek entry.  This evening, Kathy and I played another game only slightly more recognizable, Traders of Carthage (designer Susumu Kawasaki, artists Peter Gifford and You Satouchi, publisher Z-man).  The whole time we were playing, I kept remarking on the tight, agonizing decisions, turn by turn.  Nothing is obvious in this game; every choice has two sides - risk and opportunity, benefit and consequence.  I wondered whether ToC, like Alexandros, might qualify as a little-known gem that deserves more recognition.

Birthday dinner gaming

Yesterday was my beautiful wife Kathy's birthday, and we celebrated by having our good friends Glenn, Jeff, and Rebecca over for dinner and boardgames.  We customarily get together every few months or so to socialize, most recently in November when we played Tsuro and Settlers of Catan at Jeff's house.

Who loves you, Alexandros?

Today, Kathy and I played Alexandros (designer Leo Colovini, art by Grafik Studio Krüger, publisher Rio

Kathy's green generals govern some
high tax-earning provinces in the west

Grande).  I'd blogged some time ago speculating that this game might have a runaway leader problem, but that was not in evidence in our game today.  Although I jumped to an early lead and tried to continually levy taxes to open my advantage, Kathy gamely and gradually caught up to me.  She accumulated cards to knock me out of my high-earning provinces, one by one.  She timed it perfectly, so that she passed me on the high end of the scoring track and maintained the tax-collecting momentum to win by a substantial 120 to 97 points.