A vision of "Gold on Mars"

Hohmann Transfer Orbit  

For some time now, I've been giving a lot of "thought exercise" to my "Gold on Mars" concept for a space-mining game.  One thing that I'd really got stuck on was how to model interplanetary spaceflight.  I'm something of a physics geek but only an amateur astronomer, so I felt as though I had to reinvent the equations for Hohmann transfers from scratch.  (That's kind of dumb, actually, as the equations are relatively common knowledge and generally available online.  But, you know, I'm a mathematician, and I like deriving my own stuff.)

I had something of a breakthrough last night, and with the aid of MSExcel and some internet research on planetary distances, I was able to establish relative amounts of fuel necessary to travel from earth to each of the planets as far as Jupiter.  (For reasons of game scale, I've elected not to include Saturn or the other extremely distant planets in the game.  After all, I need to leave room for an expansion.)

Mars image courtesy of NASA
National Space Science
Data Center (NSSDC) 

The nice thing about having this kind of mental breakthrough and then getting it down in writing is that it opens a logjam of ideas.  So many possibilities start coming to mind - how to scale rockets for different applications, how to handle the business of contracting to build rockets, how to handle the return flight, etc.  So I'm at an exciting if still early stage in design, but the best part is that I'm starting to construct the skeleton about which the prototype will be formed.

I mentioned earlier that Dr. Lewis Pulsipher (designer of Britannia and Dragon Rage) led a seminar on game design at WBC last week, and he said a couple of things that stuck with me.

• First, a game design idea by itself is worthless.  What is worthwhile is a prototype that can be played, and until a designer has one, he's got no more than anybody else with an idea for a game.
   
• Second, whenever a designer does get ideas, he writes them down and makes them real.  He doesn't risk forgetting them, but captures them and puts them in his toolbox for future consideration as he assembles the prototype.
   

I could easily do these things and follow many other suggestions he had with a straightforward family game like Trains Planes and Automobiles, but "Gold on Mars" is going to be different.  I feel that it will be much deeper and richer, and so its design and development will demand that much more work and attention.

One last consideration:  If I try to incorporate all of the ideas I have for "GoM," it will be a big, complex, cumbersome game.  A recurring theme in Dr. Pulsipher's talk (and a quote that he cites on every page on his website) is

"A designer knows he has achieved perfection not when there is nothing left to add, but when there is nothing left to take away."  Antoine de Saint-Exup'ery

Indeed, he very recently posted an essay specifically on a comparison between simple and complex game designs.  I have a feeling that a significant portion of late design work for "GoM" will consist of pruning, trimming, and cutting back all the baroque detail that I will be inclined to add in the early design phase.  My hope, my vision, is that what will remain will be a 24-karat ingot of a space game.

Ethics in gaming: Reflections on the WBC seminar

First of all, many thanks to DiceHateMe and Monkey238 for their mention of Man OverBoard and Trains Planes and Automobiles on their podcast "The State of Games."  It was great to meet them both and try out Viva Java, which I described in my "Third Day at WBC" post.  I'm very excited for their venture into game development, and I look forward to seeing what the future holds for them.

Last week at the World Boardgaming Championships, Joel Tamburo led a fascinating seminar on ethics in gaming.  I had no idea what to expect and was pleasantly surprised at the directions that the conversation took.  Right away, the group explored the question of whether it is ethically acceptable to lie in the course of a game.  The immediate example that came up is Diplomacy, a game only half-facetiously blamed for ruining good friendships.  A consensus emerged that there is an understanding that in a game like Diplomacy, lying is an expected part of negotiation.  Although success requires alliances, winning sooner or later requires betrayal.  So as long as it is understood among players that lying is - or can be - part of the game, then that becomes part of the game's acceptable code of ethics.

Ethical issues can emerge when games bleed over into real life, however.  If someone's feelings are genuinely hurt by a twist of the knife in a game, it raises the question of whether even perfectly legal game-play can cross a line if it damages personal relationships.  It happens that not all games are for all people; some people refuse to play Diplomacy because it is just too cutthroat for them.  That makes sense, too, because presumably the point of a game is to have fun; if playing under a code of behavior that permits back-stabbing ceases to be fun (for an individual), then the game (for that person) ceases to be worth playing.  I have had two episodes in which perfectly legitimate moves in games actually hurt people's feelings - people very close to me - and led me to adjust the way that I play to accommodate the relationships that I have with the other players.

Another interesting aspect of games that involve lying can bleed over into real life as well.  Sometimes we learn how to lie, or how to detect lying, by playing games in which good lying is rewarded.  Bluffing might be considered lying, so a person who develops skill at poker might also be honing social skills that can be used to take advantage of other people.  One member of the seminar raised the question whether it is morally proper to play a game that practices and develops the "skill of sinning," such as becoming more adept at lying.

I shared an experience I had as a junior office aboard a submarine in the Navy.  It was the custom of the wardroom to get together occasionally at the Officers Club for a game of Liar's Dice.  At one particular session, I was alarmed to learn that I was remarkably good at lying to the captain.  I could just imagine being in a situation at sea in which it would be easier to lie to the captain in the middle of the night than to tell him what was really going on, and I didn't like thinking that I could actually pull it off.  (For the record, I never did, of course.  The Naval Academy Honor Concept is quite clear on this principle.)

I was surprised to learn about games that encourage stealing - Cosmic Encounter, in particular.  I don't mean games like Clue: the Great Museum Caper, in which one player is an art thief who moves around the museum attempting to steal paintings.  I mean that the game motivates a player under certain circumstances to swipe game pieces - like money from the bank - and keep it if he or she can get away with it.  As the others in the seminar described the roles in this game, it struck me as odd and a little outside my comfort zone in terms of what a game should be - or at least, the kind of game I like to play.  And a few others in the group, who were familiar with Cosmic Encounter, said they don't play it for that reason.

The discussion also turned to the question of inappropriate game themes.  I know of parents who discourage or prohibit their children from playing wargames as impersonal recreations of killing on a large scale.  There is some merit to this position as a matter of conscience.  But everyone present at this seminar was quite comfortable with wargames.  One theme that did come up as questionable, however, was that of the murder of an individual.  Joel posed the question regarding the game Kill Doctor Lucky, in which players compete to kill the fictional Dr. Lucky without being detected in the murder.  The tone of the game is humorous, but some might find offensive the notion of trying to get away with murder as the object of a game.  The group did not settle on a firm consensus on this point, though no one singled out Kill Doctor Lucky as an objectionable game in its own right.

I brought up Guillotine as another game with a potentially questionable theme.  Players represent executioners during the French Revolution competing to execute the most prestigious nobles.  The game even includes a few true historical figures - King Louis XVI, Marie Antoinette, and Robespierre.  But the rendering of the nobles and the action cards and the nature of the game rules are so comical that the game comes off as light-hearted, despite the rather morbid theme.

Subsequent to this discussion, I recently ran across a review of Letters from Whitechapel, in which one player attempts to carry out the role of Jack the Ripper while the other players try to apprehend him.  I find this game a little more disturbing than Kill Doctor Lucky and Guillotine for several reasons.  First, Jack the Ripper was a real serial killer, and his victims were real women.  The notion of playing this role by moving around the board attempting to kill prostitutes crosses a line, for me, because it represents a ruthless real-life murderer who was never caught.  Second, the game art sets a dark, somber tone, not at all a light-hearted deflection of the nature of the theme as in Kill Doctor Lucky or Guillotine.  Had I known about this game at the time of the seminar, it would have been an interesting addition to the conversation.

Surely there are few themes more objectionable to depict in a game than the Holocaust, and yet I'd read an article about a game called Train based on that very topic.  Actually, to be fair, Train wasn't so much a game as a work of art, or a psychological demonstration.  Still, it goes to show that there are some places in history that just aren't appropriate for re-visiting in the form of a game.

(c) Looney Labs
Used by permission

I think the overarching theme that developed from this seminar was that games have their own internal codes of ethics, but that as social exercises, they can also affect relationships.  On the one hand, if someone pulls off a brilliant betrayal in Diplomacy or manages to completely deceive all the villagers in Are You a Werewolf, then the rest of the players can only shake his hand and congratulate him on a game well played.  To some extent, though, trust relationships are formed or developed over games, and their social effects can bleed over into real life.  So we need to be mindful, when we play, that the people and the relationships linger after the box gets put away.

My wife, the maharaja's personal trader - Jaipur

It was time to try out one of my acquisitions from the vendors' room at the World Boardgaming Championships, so for the last two afternoon game sessions, my wife and I have tried Jaipur (designer Sebastien Pauchon, artist Alexandre Roche, publisher Game Works).  I picked this up based largely on a Dice Hate Me review as a good candidate for a two-player game, and it has turned out to be an immediate hit with both of us.

General play description
Jaipur's card deck includes cards representing six different commodities and a number of camels.  A market in the center of the table always contains five cards in any combination of commodities and camels.  At any given time, each player has a hand of up to seven commodities and, in a face-up stack on the table, a herd of camels.  In his turn a player has may perform one action from among several options.

• A commodity may be drawn from the market into the hand.  
• Two or more commodities from one's hand and/or camels from one's herd may be exchanged into the market for a like number of other commodities.  
• All of the camels from the market may be taken into his herd.
• One or more commodity cards of a single type may be sold.

Commodities are sold for tokens.  Each type of commodity has a separate set of tokens of different values depending on the type of commodity.  When commodities are sold in larger quantities in a single sale, bonus tokens are also collected for even more value.

At the end of a round, the player with the higher number of camels gets a bonus token.  Then players total the values of all tokens collected, and the player with the higher total value wins the round.  The first player to win two rounds wins the game.

General impressions
I have to say, I like this game a lot after just two plays.  There are a few genius elements to the construct of this game.  First, for each commodity, there is one more card in the deck than there are tokens available to sell them for.  Second, the tokens for a given commodity can vary in value, with the more valuable tokens coming up later in the round.  Third, the hand size limits the degree to which a player can hoard a given commodity.  So a crucial element of the game is deciding what to collect, how long to keep collecting, and when to sell them off and free the hand.

The camels also add a decision twist to the game.  It is tempting to simply keep a majority of camels and guarantee the camel bonus token of five points, but camels are useful for exchanging into the market (if there's room in your hand for more commodities).  But putting them into the market means your opponent can take them.  Oh, the agony!

My wife Kathy has managed to win four of the five rounds we have played, which is to say that she won both games that we've played so far, one by shutout.  And not by a fixed strategy or card luck, either.  This game seems to reward strategic flexibility.  There's something to be said for accumulating leather, the most plentiful commodity, to sell five at once and pick up the big market bonus.  But diamonds, gold, and silver are so profitable that perhaps they can make up for the big bonus on leather.  And I already mentioned the agony of the camels...

I'm reminded a little of Ticket to Ride: The Card Game, from the standpoint that both players are drawing from a common pool of face up cards and trying to play combinations out of the hand to collect points.  But right now I'm thinking Jaipur is hands down the more fun game, and I'm sure we'll be playing it more soon.

Final day at WBC

Yesterday was the last day of the Boardgame Players Association's World Boardgaming Championships 2011.  A record 1642 people attended WBC this year.  I met other designers, developers, and of course many gamers, including quite a few familiar faces from PrezCon.  And of course vendors, who were good enough to thin out my wallet in exchange for a few additions to my game shelf:

(c) Worthington Games
Used by permission

I've had my eye on Tech Bubble (designer Mike Nagel, artist Sean Cooke, publisher Worthington Games) for quite a while now.  We've really enjoyed push-your-luck games like Can't Stop and Incan Gold, so what I read about Tech Bubble makes me think it will fit right in.

Some time ago I did a survey in earnest for two-player games that my wife and I would enjoy, and Jaipur (designer Sebastien Pauchon, artist Alexandre Roche, publisher GameWorks) came up pretty high on the list.  DiceHateMe had a pretty funny review last April, including the following comment that caught my attention:

• Jaipur - while sometimes frustrating because of the luck of the draw in the Market - is incredibly fun. Why? I honestly have no idea. There are some games that, if dissected, the parts would make most game scholars scratch their heads and utter a collective “huh?” However, put those parts together and a rare synergy occurs. This is the magic of Jaipur. 

I love games like that.  I happened to see it for 20% off at the convention and picked it up.

(c) Z-man Games
Used by permission

And then I got to the Z-man booth.  As my good friend Grant G. said, "I never met a Z-man game I didn't like."  I was really hoping to find Traders of Carthage, but apparently that's been out of print for a while.  But I did find The Speicherstadt (designer Stefan Feld, publisher Z-man Games) an auction trading house game that I've had my eye on for a while but which sold out at PrezCon last February before I could make up my mind to buy it.  Luckily I wasn't so indecisive this year.

I needed even less deliberation to pick up Farmers of the Moor (designer Uwe Rosenberg), also at the Z-man booth.  This extension to one of my favorite games, Agricola, adds horses and peat to the farm.  I expect Farmers will bring a little "aroma" to our Agricola sessions.

I had, unfortunately, blown my budget by the time I got to the Stronghold Games booth, where I encountered Confusion: Espionage and Deception in the Cold War (designer Robert Abbott, publisher Stronghold Games).  Oh, baby.  The DiceHateMe review of this cloak-and-dagger deduction game really brought out the evil laugh in me.  But how do you indulge your inner spy when you've got a bag full of games already?  Well, fortunately, Keith F. felt the same Cold War nostalgia I did.  (Oh, wait, he's not nearly as old as I am ... Keith, what grade were you in when the Berlin Wall fell?)  Nevertheless, Keith picked it up, somehow confident that he'd be able to get me to play it with him a few times.

Keith, Brian, and I sat down for two last games of the weekend - Trains Planes and Automobiles and Citadels, two more games that Keith bought on my recommendation.  (What a trusting soul.)  At the last minute, as the vendors were boxing up inventory, Brian ran back and grabbed a copy of Pandemic, because Keith and I knew that he wanted to buy it; he just needed a little encouragement.

So all in all, the three of us managed to stay entertained.  We drank beer, we competed in tournaments, we played games till 2:00 in the morning, we bought bags of games ... and yet none of us went home with a plaque.  Oh, well.  There's always PrezCon.

Third day at World Boardgaming Championships

Admiral Lord Horatio Nelson

Saturday was all about Wooden Ships and Iron Men.  Tim Hitchings set up a fleet action in an engagement between British and French fleets in a hypothetical scenario with several players on each side in which the British fleet attempted to intercept a French fleet leaving port.  Tim gave me command of the British fleet.  The entire action ran about seven hours, with a short break for lunch.  A number of people dropped out, and others dropped in over the course of the scenario.  The battle itself was exciting and engaging, as the British became almost completely surrounded by the more numerous and better-reinforced French.  British superior crew quality and gunnery, however, helped the Royal Navy withstand the onslaught of the French fleet.  Despite one or two of the British ships having to strike colors under heavy rakes from multiple directions, we were able to sufficiently bloody the French that Tim declared the Royal Navy team to be the winners.  He gave me a prize as the best captain in the British fleet.

Later that day, I faced Evan Hitchings in the semifinals in a very even match-up of two 74-gun SOLs.  Again I was able to practice my tactical doctrine of concentrating fire on the rigging of the lead ship to reduce maneuverability, then focusing all squadron fire on a single ship's hull to take it out of action before turning to the other target.  In relatively short order, I had taken out the mast of the lead enemy ship and forced the second ship to strike her colors.  My ships had suffered a lot of damage in the process, however, and after some amount of time, my opponent was able to force one of my ships to strike her colors.  He had also inflicted a waterline hit on the other ship that induced flooding, so that a third of my crew had to be taken out of the gunnery teams to operate the water pumps and keep the ship afloat.  All else being essentially equal, my remaining ship - down one crew section - was not able to keep up in the battle of attrition that followed with the remaining enemy ship.  When the timer was up, it was clear that Evan had inflicted more damage on my ships than I had on his, so he won our semifinal matchup and advanced to the final.  We both agreed that it was one of the most exciting battles either of us had played in the tournament.

Keith and I met Chris and Cherilyn from dicehateme.com in the open game room, where they invited us to playtest a game in development called Viva Java.  The premise is that players collaborate to invent blends of various coffee beans that will be profitable on the premium coffee market.  The game involves a number of innovative mechanisms, the most interesting of which is the formation of players into temporary teams who try to combine their resources to come up with the most optimum blend on the market.  Players can invest in each others' projects if they think they will be profitable.  The cooperation is always transitory and self-serving, so there's a constant interplay to juggle benefits of collaboration with the game goals of beating your opponents.

I have been reading the Dice Hate Me blog for quite some time, so it was great to meet Chris and Cherilyn and discuss their game projects as well as share Trains Planes and Automobiles with them.  Their energetic enthusiasm for gaming is infectious.  Likewise, Josh Tempkin of Tall Tower Games shared some fascinating insights into how he and his partner developed a carefully researched and tested set of design principles on which they base all their game projects.  The results speak for themselves in the gameplay of their project Wartime, which I consider to have the potential to be a groundbreaking development in table-top gaming as a fundamentally new paradigm.

Keith, Brian, and I got together afterward for a number of games - Tikal, Citadels, and 7 Wonders.  Keith had competed in the finals for Conquest of Paradise, and Brian had made the finals for Tigris and Euphrates.  So, in short, there's been a lot of boardgaming going on this week...

Second day at World Boardgaming Championships

Friday morning, I ran a session of Trains Planes and Automobiles for several kids in the Juniors Room between tournaments.  Laurie W. of the Junior Events staff at WBC had played it with me yesterday, and she talked up the game among the kids to help spur interest.  The kids that joined me at the table had a good time learning and playing TPA and really liked it.  Later in the day, I played TPA with my friends Brian G. and Keith F., each of whom had already bought a copy.

I had some free time to try another round of Wooden Ships and Iron Men, and was surprised to learn that I was in the running for the quarterfinals.  I took the opportunity to play another session to try to boost my chances of qualifying.  In our scenario, I had two British 74-gun ships-of-the-line (SOLs), and my opponent had equivalent ships.  From the first turn, I could tell this was going to be an unusual game.  My opponent opened with an innovative tactic; he sent one of his vessels upwind and the other downwind as I approached in order to attempt a rake on one end or the other of my line.  I am rather traditional in my tactics and refused to separate my ships but maintained a close order line in an attempt to overlap fields of fire and concentrate on a single target (as I had against Robert yesterday).  

I focused my fire on one ship's rigging to reduce his maneuverability and render him unable to tack upwind and rake the rear of my line.  Suddenly he turned toward me, rammed my rear ship, and attempted to board it - something I really did not expect.  What followed was a bloody melee over several turns in which my crew barely prevailed.  He fought to the last man in a the battle that left my rear ship with only an eighth of its original crew standing.  Meanwhile my lead ship was engaged in a pounding point-blank exchange of broadsides that left both his downwind ship and my lead ship in danger of striking.  My rear ship freed itself of the grapples from the now-empty, drifting enemy vessel, and re-joined my lead ship.  I was able to engage his remaining vessel from both sides and deliver the decisive blow that force her to strike her colors.  At the end, we both agreed that it was one of the most exciting WS&IM battles either of us had played in a long time.  Unlike the previous day's victories, which seemed to some degree products of dice luck, I felt as though I won Friday's battle largely through tactical discipline.    

I entered the Alhambra tournament, which was very well attended.  I had a strong second-place finish among the six very friendly players at our table (including Laurie W. of the Juniors Room).  As it turned out, only first-place finishers would qualify for the semi-finals, so I was out of the running for Alhambra.  

A little later in the day, Joel Tamburo hosted a seminar on ethics in gaming, an engaging discussion on a rich topic that I will explore in more detail in a later blog post.

That evening, I saw a demonstration of GMT's Washington's War, which looks like an interesting game that explores the efforts of Great Britain vs. the Continental Congress to win the hearts and minds of the colonists during the American Revolution.

Keith F. had seen a demonstration last year of a game called Wartime, an as-yet unpublished real-time board wargame.  Josh Tempkin of Tall Tower Games has it for demo here at WBC again this year, so Brian G. and I had the opportunity to try it out.  The game involves perhaps the most innovative mechanism I can remember seeing in a long time - a set of multiple egg timers for tracking when pieces may move.  All play is simultaneous and open, and the game involves no luck at all.  Players simply move and attack as fast as the egg timers allow them to.  The gameplay gives new meaning to the phrase "fast and furious."  We finished our first game in nine minutes.  It felt very much like a real-time video game, but in the format of a boardgame.  We learned subsequently that later that very evening, Josh sold the design to a publisher.  We look forward to seeing the production version when it comes out.

The three of us got together for a late-night session of Stone Age and were joined by Debbie, whom we had not met before but who saw us setting up and asked to join us.  Stone Age falls into the worker-placement category of Agricola or Pillars of the Earth, but it has some novel scoring mechanisms that take some getting used to.  I really enjoy the game but am reluctant to buy it only because it is another bird of that feather, so to speak.

On our way out, we ran across a game of Lifeboat that was being played by Chris and Cherilyn, the creators of the Dice Hate Me blog and podcast.  It was great to meet them in person.  They plan to have playtest sessions of two of their games on Saturday, so I hope to try them out, time permitting.

My Saturday plan currently consists of joining the WS&IM fleet action, a multi-player event in which each player controls two ships in a large naval battle.  There are several demos I want to see during the day, and the WS&IM semifinal and final will be later that afternoon.  If I take leave of my senses, I may participate in the midnight Wartime tournament, just because that game looks like so much fun.

First day at World Boardgaming Championships

A quick summary of yesterday's events:

I started in Wooden Ships and Iron Men with a single frigate engagement against Tim Hitchings, the event coordinator.  I won largely due to die luck; for a good stretch of the game, I couldn't roll lower than '4,' and he couldn't roll higher than '3.'  It's hard to lose under those conditions.  

I followed with a match-up against Rob from Alexandria, VA, my two Spanish 80- and 74-gun ships-of-the-line (SOLs) against his similarly rated vessels.  I won that engagement as well, partly due to basic naval gunnery tactics (concentrate both broadsides on a single target, take down one mast, then switch fire to hull and blast away) and partly due again to die luck (although not as egregious as in the frigate battle).  I was by no means unscathed; through effective use of chain shot, Rob completely demasted my 80-gun SOL.  At one point he tried to perform an end run by pulling his rear SOL out of line and upwind, away from my fire, then rigging full sails, and attempting to sprint around the far side of his lead SOL to turn down wind and attempt to set up a rake on my rear SOL.  I was pretty tight with my line and maneuver, though, and managed to re-form my line along the wind in such a way that instead of firing on my rear, he faced a combined broadside as he made his attempted raking maneuver. Meanwhile, I was able to keep up the barrage on his lead SOL until she struck her colors.  At that point Rob felt that he was unlikely to pull out a win (particularly under tournament time constraints), and he conceded the battle.

I had an opportunity to introduce Trains Planes and Automobiles to Laurie W. and Jenna S., the adults running the Juniors Room.  (There were few children present at the time, and those were all engaged in other games already.)  The adults seemed interested in learning a new family game, and it went over very well.  I'm optimistic they will look for it in the Vendors Room tomorrow, when Worthington Games will have it available for sale.

I competed in the 7 Wonders tournament at a very fun table of seven people, including Stefan from Montreal.  I came in a very close second place (112 points over two games).  There were 25 tables and 42 seats in the quarterfinal, so my strong second-place finish qualified me for the quarterfinal.  Unfortunately, there I had my worst showing ever, with 36 points and a solid lock on seventh place.  So that was it for 7W for me this convention.  

Dr. Lewis Pulsipher delivered a seminar that amounted to a summary of his lecture notes on game design, with a great deal of Q&A and interaction among the audience members, who included Joe Angiolillo, designer of Objective Moscow and Operation Typhoon (although he denied deserving credit for that latter title), among others.  It was a rich and fascinating session that ran so long that I skipped the Agricola heat scheduled for later in the evening.

After my friends Keith F. and Brian G. finished in Agricola (Keith won his table), we went over to the open gaming area, where I introduced them to Citadels.  Keith won our game, a victory I think I could have snatched from him if I'd properly played the assassin against the architect (rather than the warlord), which would have prevented him from building his eighth district and getting sufficient bonus points to outscore me.  Curses!

Today's plan includes more WS&IM, more opportunities to introduce kids to TPA, Alhambra (or maybe Agricola - there's a conflict), demos of Tikal and Washington's War, a seminar on gaming and ethics, and opportunities to play Battleline, Ingenious, and Liar's Dice.  

Final preparations for WBC

I'm making final preparations to leave early tomorrow morning for Lancaster, Pennsylvania, to attend the World Boardgaming Championships.  Besides introducing Trains Planes and Automobiles in the Juniors Room, I hope to attend Dr. Lewis Pulsipher's seminar on game design and play a few games.  The top six on my list are

• Wooden Ships and Iron Men,
• 7 Wonders,
• Agricola,
• Alhambra,
• Tikal, and
• Attack Sub.

The first four are among my favorite games; the last two are new to me, and I look forward to learning about them.

I welcome comments from others already at WBC or planning to go.  Let me know what you're most looking forward to!