Notes on Games with Sequential Moves

In this second post in a series exploring games of strategy (begun last month), designers Aaron Honsowetz, Austin Smokowicz, and I explore strategic games involving sequential moves, i.e. those in which each player's decision happens in the context of knowing opponents' previous decisions.  This exploration has its foundation in Chapter 3 of Dixit, Skeath, and Reiley's Games of Strategy.

Notes on Games of Strategy

Over three years ago, I wrote about my effort to approach a simple three-player race game using game theory.  Economist and game designer Dr. Aaron Honsowetz responded, which led to his recommendation that I look up the book Games of Strategy by Avinash Dixit, Susan Skeath, and David Reiley.  I finally obtained the third edition recently, and that has led Aaron, fellow designer Austin Smokowicz, and me to explore Dixit Skeath and Reiley's text in a kind of virtual book club.

Papal Pilgrimage: A preview of the sequel to Avignon

The microgame format that Love Letter popularized poses a considerable design challenge.  Fewer cards mean players face statistically fewer different situations.  Pared down to a skeletal structure, a microgame really has to make every card significant and capitalize on every opportunity for interaction. John du Bois introduced a clever two-player tug-of-war in this format with the 2016 Button Shy game Avignon: A Clash of Popes.  To that tight little design Button Shy Games is Kickstarting a sequel, Avignon: Pilgrimage, that introduces new characters that can stand alone as a separate game or that players can mix in with the original Avignon for a variety of interactions.

Getting to Know "The Grid"

Games in some ways, like people, have personalities.  Some, like Ticket to Ride, are friendly, fun, and easy to get to know.  Others, like Two Rooms and a Boom, are gregarious and a little crazy; if you can handle the energy, they are very entertaining.  Some are obtuse and a little intimidating, like a Phil Eklund simulation or a heavy wargame.  And some are subtle, reserved, and a little introverted; they don't want to show you everything right away, and if you base your opinion on a first impression, you'll miss what's hidden underneath.

Congress of Gamers 2016

Every fall there's a little weekend convention in Rockville, Maryland that I've always enjoyed.  Hosted at the unassuming Rockville Senior Center, Congress of Gamers features a series of Euro tournaments, an auction store, and a game design room.  The Games Club of Maryland sponsored the convention, and Break My Game ran the prototype testing event this year's session, which convened last weekend. 

Collaboration

Having always approached game design as a solitary creative activity, I've been curious about successful design teams like Inka and Markus Brand (Village), or Kramer and Kiesling (Tikal).  My friend Keith Ferguson recently spoke about the collaborative process with Ben Pinchback, who said that he and Matt Riddle meet on a weekly basis and just work on games for a dedicated regular session.

Summer vacation gaming

Our friends gave us access to their beach house in Rodanthe, North Carolina, for a week this summer.  For me, the best part of a summer vacation is simply sitting without a care in the world and reading a book or playing a game, and we did plenty of both.  I finished three books (including Girls on Games, reviewed in my last post), and we played games every day, including my sons, who are not normally enthusiastic gamers.

Hearing Women Tell It: A Review of "Girls on Games"

At a time when the board game community has become gradually aware of the unique experiences of women in the hobby, the gently feminist Girls on Games, an anthology on gender perspective in gaming particularly and in geekdom more generally, successfully Kickstarted in 2014 with over 900 backers.  Elisa Teague - designer of games, events, costumes, and props - compiled 15 essays by women and a foreword (by a man) and herself wrote six more plus an afterword.  She also interleaved “Share My Story Spotlight” anecdotes by two women, three men, and a girl, plus a poem – or perhaps a song lyric – by “The Doubleclicks.”  And to read and hear women tell it, despite a consistently optimistic tone throughout their essays, they experience some ugly behavior in our gaming hobby  – from condescension, to scorn, to challenges to their bona fides as game lovers.  After reading of these experiences, frankly, I don’t know how they put up with it.