Gold on Mars: It's been done

The game that burst
my bubble

I was doing some market research today for my "Gold on Mars" game concept, and I've made that heart-sinking discovery that somebody has already done what I had in mind, better than I could have done it myself.  High Frontier (designer and artist Phil Eklund, publisher Sierra Madre) seems to have all the elements I wanted to manifest in "Gold on Mars," but (based on reviews) better than the prototype I've been crafting.

So, bottom line, I'll have to get a copy of HF.  It looks like fun.

*Heavy sigh*  Meanwhile, back to the drawing board.

Discovering Bohnanza

On business travel, I had the opportunity to visit long-time friend Stephen Craig and his wife Shelly.  Stephen had recently brought his prototypes of "Off to College" and "Staples" to UnPub2 and come back with a number of suggestions and ideas to work on.  But after a nice spaghetti dinner, the game that Stephen and Shelly really wanted to bring to the table was a card game I'd read many good things about but never played - Bohnanza (designer Uwe Rosenberg, artist Bjorn Pertoft, publisher Rio Grande).

I'm a big fan of Uwe R. because of Agricola, and I look forward to trying Le Havre sometime soon when I have the opportunity.  Bohnanza is in a completely different category, though, and I was surprised to see that Uwe R. had designed it.  At first glance, I was reminded more of Empyrean Inc. than anything else, but even that comparison is weak.  I'd read a number of reviews of Bohnanza, and while they were largely enthusiastic, none was particularly positive on it as a two-player game, so I hadn't really given it much thought.

Based on our session this evening, though, I've bumped it up on my wish list.  Bohnanza is a clever little game of shifting relative values among cards and tight decision constraints.  A lot of the fun is in the wheeling and dealing to trade off unwanted bean types for better prospects.  Whereas we tended to play a semi-cooperative, "you scratch my back and I'll scratch yours" approach, I can see how this game could be very cut-throat in a competitive environment (like a tournament).  As a social gamer, I appreciated the "benevolent negotiator" approach that we took at the table this evening.

I would imagine that a lot of the fun elements would be muted in a two-player game, which has no trading, but Stephen and Shelly insist that they have a lot of fun just playing the two of them.  Their copy of the game is "well-loved," which shows that it has had a lot of play.  So I think Kathy and I will have to give this a look.  Many thanks for Stephen and Shelly for turning us on to this new discovery!

Chicago Express: Where has this game been all my life?

I gave our good friends Sheila and Keith a copy of Chicago Express (designer Harry Wu, artist Michael Menzel, publisher Queen Games) for a wedding gift.  I had never played before, but I was looking for something suitable for two to six players - something they could play together as a couple but that our occasional "game night" group of friends could play as well.  CE came up pretty high on the boardgamegeek rankings, and the reviews looked promising, so it felt safe as a gift choice.

Sheila and Keith hosted a dinner party last night, and we got to play a six-player session.  None of us had ever played before, so I read the rules beforehand.  The game struck me as the perfect implementation of capitalism in game form.  Railroad company shares are sold at auction.  Company dividends are distributed among shareholders based on earnings.  Stockholders - or board members, if you like - direct the investment of capital raised from the sale of shares to invest in railroad expansion and development to improve the company's earnings.  I have never played an 18xx railroad game, but I have the impression that CE is a kind of "18xx light."

We had a really great time with this game.  I was very pleased that it was a relatively easy game for all of us to learn even though we had no one at the table who had played before.  (The only open rules question for us was whether money is "hidden" or "open"; the boardgamegeek consensus seems to be that money in any game is open unless the rules specifically provide for hiding it, as in St. Petersburg.)  I think as we played, we all overbid pretty heavily for stock certificates.  More players chasing a fixed number of shares, which were the only source of income - supply and demand at its finest.  We had so many auctions that three railroads had only just reached Pittsburgh when Rebecca triggered game end with an auction of the last share of the New York Central after the Pennsylvania and B&O had already sold out.

Part of what struck me about this game is a complete absence of luck.  I didn't really think about it until the game was over, but there is not a single card draw, dice roll, or bag pull in the entire game.  As one reviewer mentions, the only "random" element (if you can call it that) is the seating order around the table and determination of starting player.  The rest of the game is determined entirely by the decisions of the players at the table.  Even more than Puerto Rico (which I consider a brilliant design), CE is entirely in the hands of the players.

The more I think about CE, the more excited I am about it.  I've put it on my "must have" short list.

1962 3M edition

Rebecca mentioned that CE reminded her of Acquire.  I have only played Acquire once, at PrezCon, and I loved it enough to buy it on eBay, but haven't had the opportunity to play since.  I had recently read mention of Acquire when Little Metal Dog Show called it "a stone-cold classic" in a post about ten days ago.  Rebecca and I agreed that we should bring it to the table at our next opportunity.  Since that conversation, I ran across an interesting boardgamegeek thread comparing the two games.  This is another game that I need to bring out soon.

So many games, so little time.

Games for four-year-olds

[This is a re-post of an entry originally published on 2 February 2012. The post was somehow corrupted, so I am restoring it for accessibility.] 

I was recently asked about games for very young kids.  I haven't looked at games in this age range in a while (since our youngest is eleven), so it was interesting to revisit the gamescape for the booster-seat set.

We still have two in our house that our kids enjoyed back before kindergarten:

Husker Du is essentially Concentration in a kid-friendly format.  The board consists of a number of small round "windows" through which symbols on a single rotating disc are visible.  Game set-up consists of covering the windows with checkers, then rotating the disc so that new symbols are lined up in the windows under the checkers.  Players remove checkers two at a time looking for matching symbols.  If they match, they keep the checkers; if not, the checkers cover the symbols again.  An old standard memory game, always a good parent-child past-time.

Launch Across is a cross between table-top basketball and Connect Four.  Each player has a launcher that propels colored balls against a backboard and down into one of several stacking columns.  The first to get four in a straight line row (horizontal, diagonal, or vertical) wins.  I'm not usually a fan of dexterity games, but this one is entertaining.

A search of the boardgamegeek.com database turned up a number of good options that are still available on the market:

• "Animal Upon Animal is a simple stacking game, listed for ages 4-99, with 29 cute wooden animals."
  
• Kids of Carcassone is a tile-laying game patterned after the phenomenally popular Carcassonne with simpler dynamics but, according to some parent reviews, engaging gameplay.
  
• "Viva Topo! is a [roll-and-move] family game that has players balancing risk and rewards as they attempt to outrun the cat and score for cheese. Players attempt to advance their mice to various goals. The further the goal, the more cheese it is worth. Pursuing the mice is the cat that removes the mice from the game should it catch the mice.  Movement is regulated by a die that also moves the cat. Initial cat moves are only 1 space, but become 2 spaces after once around the track, so when the cat speeds up, it's almost all over!"
  
  
  
• Boo Who? (originally Geistertreppe, now available as Spooky Stairs) has a clever feature in which players' pieces are magnetic and become hidden by "ghost" pieces over the course of the game.  Players try to remember where their pieces are and get them to the top of the castle stairs to win.
  
• "Being afraid of monsters is a normal part of growing up.  Go Away Monster! encourages kids to conquer that fear by acting it out and taking control.  It also lets them experience some of the apprehension and excitement in deciding what is real and what is imaginary.  Reach in the bag to find the puzzle pieces that fit your bedroom game board. Try to distinguish between the different puzzle pieces and decide which one feels like the size and shape of a piece you need. If you pull out a monster, don't be scared... You take charge, and the monsters will take off!"

I'd be curious to know what other games have become family favorites among parents of the pre-school generation.

A couple of funny little card games

As a get-well gift, a friend gave our convalescing family member the card game Angry Birds (Mattel), based rather tangentially on the popular app.  As games go, it's largely a function of dice and card luck, but it's a fun diversion with young kids.  We played a three-player round this evening, and we got some good laughs out of it.

Kathy's winning manipulation of the
time continuum in Chrononauts

Because Angry Birds went so quickly, Kathy and I then turned to another card game with a different bent of humor, Chrononauts (designer Andrew Looney, artist Alison Frane, publisher Looney Labs).  We like this game as an interesting twist on the Fluxx line of shifting victory condition card games that Looney Labs has put out.  As time travellers, we saved the lives of Abraham Lincoln, the Archduke Ferdinand, and John Lennon.  Kathy (as "Timmy") managed to travel back to 1918 when, thanks to the Archduke Ferdinand's narrow escape, Europe had avoided a destructive war, enabling her to "patch" the timeline with a European economic boom.  Then she traveled ahead to 1980 and saved the life of John Lennon from his would-be assassin.  She then traveled on to 1999 and engineered Senator Lennon's success in passing a Constitutional Amendment to repeal the Second Amendment and institute a nationwide gun ban.

Although some of the alternate timelines in Chrononauts are a bit tortured, the game itself is fun.  Besides manipulating history, the game can be won by collecting artifacts from history (or the future), some of which make me laugh every time I see them (such as the "Obvious Forgery of the Mona Lisa," depicted with a mustache).  The fairly simple gameplay features some tricky decision-making and risk-taking, which makes for a good overall card game.

Gaming in a hospital room - Monopoly Express

Some months ago I wrote a post on what kinds of games work when keeping someone company in a hospital room, and what kinds of games don't.  I had the occasion this week to while away time in similar circumstances, and we settled on Monopoly Express (designers Garrett Donner and Michael S. Steer, publisher Hasbro) as a not-bad alternative when conditions don't allow the kind of space that board and card games typically require.

Monopoly Express
photo Hasbro 2007

First published in 1991 as Don't Go to Jail, the dice game Monopoly Express was re-released in 2007 in a round plastic container that is rather difficult to open.  This inconvenience is a blessing in disguise, because it allows ME to be thrown into a bag and taken anywhere without concern for lost pieces.  The container also serves as a dice tray, and it was this feature that made the game work so well in a surgery waiting room.  My wife and I were able to play this game on the seat between us without worrying about pieces rolling onto the floor.

Monopoly Express board
photo posted to boardgamegeek.com
by Chris Blakely

The "board" is a round plastic disc with recesses for placing dice to score points.  The game itself is a "push your luck" game along the lines of Pass the Pigs, $GREED, or Can't Stop.  Three dice have only "Go to Jail" policemen, "Go" green arrows, or blank faces.  Seven other dice have colors and denominations on each face that correspond roughly to familiar properties on a Monopoly board.  A player's turn consists of rolling the dice, putting any policemen on the board, and then also placing on the board a combination of colored denominations that offers the best prospects for scoring points.  Completed sets are worth more points than the sum of individual dice and also offer the opportunity to add the "house/hotel" die to the mix on the next roll; houses and hotels add greatly to the score.  A player can re-roll remaining dice or stop at any time and score the results of the turn, but if a roll turns up the third policeman, then the player scores nothing that turn (like a "pig out" in PtP).

The value in this game isn't the twist on the push-your-luck format, and certainly not its very small addition to the deluge of Monopoly titles in the world.  Its real value is its extreme portability and quick play.  This week it got more action than PtP because it doesn't even need a flat playing surface.  At a time when we all needed a little cheering up, ME helped pass the time in a pleasant, undemanding way.

Agricola close-up

Spanish boardgame geek Roberto Méndez has started a game photography project he calls, "52 Weeks 52 Photos."  This week's photo of Agricola reminded me that I'd taken a few photos of a game Kathy and I had played recently but never posted.

Kathy's very successful wild boar farm in our Agricola game two weeks ago 

So here's today's Agricola close-up, inspired by Roberto Méndez.

Tsuro close-up

I've been trying my hand at some boardgame photography, so tonight I thought I'd post a shot I took at the end of our game of Tsuro (designer Tom McMurchie; artists* Shane Small, Cathy Brigg, and Sarah Phelps; publisher Calliope Games).

Kathy's winning position at the end of Tsuro.  My just-eliminated black stone languishes on the board edge in the background.  Had I been able to last one more turn, she would have been eliminated on her next tile play.

I have to say that this is one of the most aesthetically pleasing games we own, and I'm very fond of it.  As a game, it is a very quick play with only a few decision options each turn, but it certainly requires some thought and planning ahead.

Tonight I gambled on having the right tile come up to extricate my piece from a bind into which I'd put myself, trying to corner my wife's piece and lock her out of the more open side of the board.  My gamble didn't pan out, and she ended up beating me with just one open space left.

Since Tsuro ostensibly accommodates up to eight, I'd love to play this game with a bigger group, but seldom do we get more than three to the table for it.

*Boardgamegeek.com entry gives artist credits to Franz and Imelda Vohwinkel.  I can't figure out why.